From The Guardian comes a review of a book first published three quarters of a century ago:
A world of genetically modified babies, boundless consumption, casual sex and drugs... How does Aldous Huxley's vision of a totalitarian future stand up 75 years after Brave New World was first published, asks Margaret Atwood.Surely it's time to look again at Brave New World and to examine its arguments for and against the totally planned society it describes, in which "everybody is happy now". What sort of happiness is on offer, and what is the price we might pay to achieve it?
Atwood finds that Huxley's great novel is as relevant as ever:
How does it stand up, 75 years later? And how close have we come, in real life, to the society of vapid consumers, idle pleasure-seekers, inner-space trippers and programmed conformists that it presents?The answer to the first question, for me, is that it stands up very well. It's still as vibrant, fresh, and somehow shocking as it was when I first read it.
She compares Brave New World with literary antecedents like Plato's Republic, More's Utopia, and Wells's The Time Machine.
Brave New World is either a perfect-world utopia or its nasty opposite, a dystopia, depending on your point of view: its inhabitants are beautiful, secure and free from diseases and worries, though in a way we like to think we would find unacceptable...But as had already been discovered in literary utopias, perfectibility breaks on the rock of dissent. What do you do with people who don't endorse your views or fit in with your plans?
What do you do? Or, maybe better to ask, what will we do with the brave new world coming swiftly toward us on the wings of wondrous technologies?
[W]e've always wanted things both ways. We wish to be as the careless gods, lying around on Olympus, eternally beautiful, having sex and being entertained by the anguish of others. And at the same time we want to be those anguished others, because we believe...that life has meaning beyond the play of the senses, and that immediate gratification will never be enough.It was Huxley's genius to present us to ourselves in all our ambiguity. Alone among the animals, we suffer from the future perfect tense. Rover the Dog cannot imagine a future world of dogs in which all fleas will have been eliminated and doghood will finally have achieved its full glorious potential. But thanks to our uniquely structured languages, human beings can imagine such enhanced states for themselves, though they can also question their own grandiose constructions. It's these double-sided imaginative abilities that produce masterpieces of speculation such as Brave New World.
If you've never read Brave New World, now is the time. And if you've read it before, maybe now is the time to read it again!
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